![]() But it’s not, because Season 5B was filmed at the same time as Season 5A, in late 2017. I wish this read as an intentional juxtaposition-an attempt to reconcile or at least integrate what has been alleged about Tambor with the upstanding character that he and his castmates, including Walter, assert he has. press tour, and went on to bury it in other content as its male stars scrambled to apologize for their behavior during the interview.Īrrested Development Season 5B begins with Oscar and George at cross-purposes once more, a choice that’s especially striking after that explosive interview-we have two Tambors to choose between, a bad one and a better one, though ultimately, both are cowardly in the same way. But instead Netflix canceled the show’s U.K. Arrested Development’s fifth season debuted during prime Emmy Award eligibility period, and could have launched a campaign to reclaim the show’s early glory. The newspaper released the audio of the roundtable with the article, so as to most accurately convey the emotions of all involved. Then, in a shocking sit-down with The New York Times, cast member Jessica Walter- a legend in her own right, and one of the most indelible performers on the show-shared that Tambor had lambasted her on set, in what she described as “verbal harassment.” During the interview, other male cast members defended Tambor, as Walter at one point began to cry. (Tambor has acknowledged that “ lines got blurred,” but has denied allegations of harassment.) Netflix found no such wrongdoing from Tambor in their productions, so they kept him on Arrested Development. In February 2018, Jeffrey Tambor was kicked off of Amazon Studios’ Transparent after two allegations of sexual harassment. But if that’s the case, why did I like Season 5A, only a few months ago? Something else has curdled. It may just be that the early-aughts nihilism of Arrested Development belongs to a pre-Trump era (or even, arguably, a pre-Obama era). But in the show’s defense, it has always unraveled what it so painstakingly knitted together the comedy’s elasticity is one of its greatest strengths. It may be that this batch of episodes untangles and undermines much of what made the first half of Season 5 interesting-Gob’s ( Will Arnett) sexuality, George Michael’s ( Michael Cera) empire of lies at FakeBlock, and Maeby’s ( Alia Shawkat) turn as a senior citizen named Annette. Last May, I liked that Season 5A made a concerted effort to return to form it eschewed the experiments of Season 4 for the constraints of the network format, one that made space for commercial breaks (though as a Netflix original, it has no ads) and kept itself within a 30-minute window (which, again, it doesn’t need to do anymore).īut watching Season 5B deflated my enthusiasm. Arrested Development, which was once, easily, one of my favorite comedies of all time, has become a reanimated corpse that I’d like to see dead and buried. ![]() It’s as if the sitcom means to underscore how irrelevant it has become-a sentence that I would have found it impossible to type a few years ago. ![]() In a marked commitment to its title, the show is literally frozen in time in the second half of Season 5, which debuts Friday on Netflix-stuck in 2015, and making knowing wisecracks about Hillary Clinton’s sure-thing upcoming presidency. Seasons 4 and 5 take place over the course of just a few months, but it’s been six years for those of us watching at home, and 16 years of Arrested Development altogether the sitcom debuted on Fox in November 2003, two presidents and a couple of wars ago. It’s fitting that the bulk of Arrested Development Season 5-a season whose first half dropped last May-is set before the 2016 election. ![]()
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